Imperyalismo at Kolonyalismo Editorial Cartooning at Satire sa Politika

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Editorial Cartooning At Satire Sa Politika title=Political Cartoon style=width:100%;text-align:center; onerror=this.onerror=null;this.src='https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcRaRQmge_mG1awbl4gHa8qRUJsSBRGXXvxwf88yeoYNZ-fsis_Uc5wiUSMa9Bx2pp-Bxwo&usqp=CAU'; />

Thomas Knieper Professor of Computer Mediated Communication, University of Passau. He contributed an article on “Political Cartoon” to SAGE Publications’ Encyclopedia of Governance (2007), and a version of this...

Panahon Ng Pagtuklas At Paggalugad ( Using The Editorial Cartoon Strategy )

The Editors of Encyclopaedia Encyclopaedia 's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. They write new content and verify and edit content received from contributors.

Political cartoon, a drawing (often including caricature) made for the purpose of conveying editorial commentary on politics, politicians, and current events. Such cartoons play a role in the political discourse of a society that provides for freedom of speech and of the press. They are a primarily opinion-oriented medium and can generally be found on the editorial pages of newspapers and other journalistic outlets, whether in print or electronic form. Their subject matter is usually that of current and newsworthy political issues, and, in order for them to be understood, they require that readers possess some basic background knowledge about their subject matter, ideally that provided by the medium in which they are published.

A political cartoon is also an artistic vehicle characterized by both metaphorical and satirical language. It may point out the contexts, problems, and discrepancies of a political situation. Although a drawing reflects a cartoonist’s judgment and point of view and the visual commentary often exaggerates circumstances, responsible editorial standards do not allow the artist to alter facts. During the process of rendering opinions into such a visual form, many artistic decisions (regarding symbols, allegories, techniques, composition, and so forth) must be made. While doing so, the cartoonist must keep in mind whether the audience will be able to understand the editorial cartoon. When successful, political cartoons can fulfill an important criticizing and controlling function in society. In addition, political cartoons can encourage the process of opinion formation and decision making as well as provide entertaining perspectives on the news.The editorial cartoon 'The White Man's Burd' (Apologies to Rudyard Kipling) shows John Bull (Britain) and Uncle Sam (U.S.) delivering the world's people of colour to civilisation (Victor Gillam, Judge magazine, 1 April 1899). The people in the basket carried by Uncle Sam are labelled Cuba, Hawaii, Samoa, 'Porto Rico', and the Philippines, while the people in the basket carried by John Bull are labelled Zulu, China, India, 'Soudan', and Egypt.

Political Satire Depicting William Ewart Gladstone (1809 1898) And Benjamin Disraeli (1804 1881) Both Former Prime Minister Of Britain, And John Bull, A National Personification Of Great Britain In General. By Sir John Tenniel (

The White Man's Burd (1899), by Rudyard Kipling, is a poem about the Philippine–American War (1899–1902) that exhorts the United States to assume colonial control of the Filipino people and their country.

Originally writt to celebrate the Diamond Jubilee of Que Victoria (22 June 1897), the jingoistic poem was replaced with the sombre Recessional (1897), also a Kipling poem about empire.

In The White Man's Burd, Kipling couraged the American annexation and colonisation of the Philippine Islands, a Pacific Ocean archipelago conquered in the three-month Spanish–American War (1898).

Gumawa Ng Isang Editorial Cartooning Na Naglalarawan Sa Unang Yugto Ng Kolonyalismo At Imperyalismo Na

As an imperialist poet, Kipling exhorts the American reader and lister to take up the terprise of empire yet warns about the personal costs faced, dured, and paid in building an empire;

Nonetheless, American imperialists understood the phrase the white man's burd to justify imperial conquest as a civilising mission that is ideologically related to the contintal expansion philosophy of manifest destiny of the early 19th ctury.

The White Man's Burd was first published in The Times (London) on 4 February 1899, and in The New York Sun on 5 February 1899.

Editorial Cartoon: The Game Plan

On 7 February 1899, during satorial debate to decide if the US should retain control of the Philippine Islands and the t million Filipinos conquered from the Spanish Empire, Sator Bjamin Tillman read aloud the first, the fourth, and the fifth stanzas of Kipling's sev-stanza poem as argumts against ratification of the Treaty of Paris, and that the US should formally rounce claim of authority over the Philippine Islands. To that effect, Sator Tillman addressed the matter to Presidt William McKinley:

As though coming at the most opportune time possible, you might say just before the treaty reached the Sate, or about the time it was st to us, there appeared in one of our magazines a poem by Rudyard Kipling, the greatest poet of gland at this time. This poem, unique, and in some places too deep for me, is a prophecy. I do not imagine that in the history of human evts any poet has ever felt inspired so clearly to portray our danger and our duty. It is called The White Man’s Burd. With the permission of Sators I will read a stanza, and I beg Sators to list to it, for it is well worth their atttion. This man has lived in the Indies. In fact, he is a citiz of the world, and has be all over it, and knows whereof he speaks.[8]

Those [Filipino] peoples are not suited to our institutions. They are not ready for liberty as we understand it. They do not want it. Why are we bt on forcing upon them a civilization not suited to them and which only means in their view degradation and a loss of self-respect, which is worse than the loss of life itself?[8]

The White Man's Burden

Sator Tillman was unpersuasive, and the US Congress ratified the Treaty of Paris on 11 February 1899, formally ding the Spanish–American War. After paying a post-war indemnification of twty million dollars to the Kingdom of Spain, on 11 April 1899, the US established geopolitical hegemony upon islands and peoples in two oceans and in two hemispheres: the Philippine Islands and Guam in the Pacific Ocean,

The White (?) Man's Burd shows the colonial exploitation of labour by various Western nations. (William Hry Walker, Life magazine, 16 March 1899)

Take up the White Man's burd—     Sd forth the best ye breed— Go bind your sons to exile     To serve your captives' need; To wait in heavy harness     On fluttered folk and wild— Your new-caught, sull peoples,     Half devil and half child. Take up the White Man's burd—     In patice to abide, To veil the threat of terror     And check the show of pride; By op speech and simple,     An hundred times made plain. To seek another's profit,     And work another's gain. Take up the White Man's burd—     The savage wars of peace— Fill full the mouth of Famine     And bid the sickness cease; And wh your goal is nearest     The d for others sought, Watch Sloth and heath Folly     Bring all your hopes to nought. Take up the White Man's burd—     No tawdry rule of kings, But toil of serf and sweeper—     The tale of common things. The ports ye shall not ter,     The roads ye shall not tread, Go make them with your living,     And mark them with your dead! Take up the White Man's burd—     And reap his old reward: The blame of those ye better,     The hate of those ye guard— The cry of hosts ye humour     (Ah, slowly!) toward the light:— Why brought ye us from bondage,     Our loved Egyptian night? Take up the White Man's burd—     Ye dare not stoop to less Nor call too loud on Freedom     To cloak your weariness; By all ye cry or whisper,     By all ye leave or do, The silt, sull peoples     Shall weigh your Gods and you. Take up the White Man's burd—     Have done with childish days— The lightly proffered laurel,     The easy, ungrudged praise. Comes now, to search your manhood     Through all the thankless years, Cold-edged with dear-bought wisdom,     The judgmt of your peers![11] Interpretation [ edit ]

Suriing Mabuti Ang Larawan/editorial Cartoon At Ipaliwanag Ang Kaugnayan O Ang Naging Epekto Ng Pananakop Na

The American writer Mark Twain replied to the imperialism Kipling espoused in The White Man's Burd with the satirical essay To the Person Sitting in Darkness (1901), about the anti-imperialist Boxer Rebellion (1899) in China.

The imperialist interpretation of The White Man's Burd (1899) proposes that the white race is morally obliged to civilise the non-white peoples of planet Earth, and to courage their progress (economic, social, and cultural) through colonialism:

The implication, of course, was that the Empire existed not for the befit — economic or strategic or otherwise — of Britain, itself, but in order that primitive peoples, incapable of self-governmt, could, with British guidance, evtually become civilized (and Christianized).[13]

Political Cartoons :

Kipling positively represts imperialism as the moral burd of the white race, who are divinely destined to civilise the brutish, non-white Other who inhabits the barbarous parts of the world; to wit, the sevth and eighth lines of the first stanza represt the Filipinos as new-caught, sull peoples, half-devil and half-child.

Despite the chauvinistic nationalism that supported Western imperialism in the 19th ctury, public moral opposition to Kipling's racialist misreprestation of the colonial exploitation of labour in The White Man's Burd produced the satirical essay To the Person Sitting in Darkness (1901), by Mark Twain, which catalogues the